The Dance of Death by Simon Martin

Apollo Magazine, January 2012

Troubled Voyages by Andrew Graham-Dixon

The Sunday Telegraph, 15th January 2012

Showcasing Modern Masters by Souren Melikian

Weekend Arts, International Herald Tribune, 16th October 2010

'...Nowhere else would you gaze at some unforgettable Nicolas de Stael paintings of 1953 (Alexander Corcoran, who runs Lefevre London has one...'

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Kunstmarkt, Frankfurter Allgemeine Zeitung, Saturday 13th March 2010

(Reproduction of Composition by Yves Tanguy)

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Hidden harmonies of art and design by Souren Melkian

International Herald Tribune, Weekend Arts, October 16th 2009

'...Add a handful of works adorned by world-famous signatures. Alexander Corcoran who runs the Lefevre Gallery in London, has a dazzling gouache study for a "Caryatid" painted by Modigliani around 1913, and an important Nicolas de Stael quasi-abstract landscape, "Hills at Agrigente" dating from 1954..."

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Highlights

Style Makeover by Susan Moore
Financial Times, October 11th 2009

A chair you can actually sit on by Helen Kirwan-Taylor

The Wall Street Journal, No.180, October 16-18th 2009

Gauging the art market in London & Paris by Nazanin Lankarini

International Herald Tribune, October 15th 2009

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15th November – 14th December 2007

Alchemist’s Art by Liz Elliot

House & Garden, January 2008

‘…That the Lefevre gallery-which specialises in modern and impressionist paintings, drawing and sculpture-should choose for the first time to exhibit furniture, is testament to the quality and individuality of Philippe’s work, which has been commissioned by collectors and designers from all over the world…’

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6th June-4th July 2008

Market News by Colin Gleadell

The Daily Telepgraph, 3rd June 2008

‘One of the most sought-after British artists in America returns to London this week…'

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11th May -17th June 2005

Potent Venom by John Spurling

Spectator, 21st May 2005

‘Everything looks menacing,’ Edward Burra once told the Tate’s director Sir John Rothenstein. ‘I’m always expecting something calamitous to happen.’ This was late in Burra’s career, when by then his well-known and characteristic figure paintings had mostly given way to landscapes and still lifes, though without any diminution in their imaginative power or their peculiar sense of humorous unease….’

‘…In this centenary exhibition at the Lefevre –now an almost secret gallery identified only by a brass plate beside the front door-where he showed regularly from 1952 until his death in 1976-there is a fine selection of paintings from the late 1920s to the early 1970’s….’

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November 17th-December 15th 2004

Scored with Anxiety by Serena Davis

Daily Telegraph, 1st December 2004

‘An exhibition in a new space near Cork Street seeks to help rectify the balance. It is the first staged in England to offer the chance to examine examples of Giacometti’s paintings, and some drawings, alone.

It is a small show, only 21 works from the last 20 years of his life, hung in the airy upper rooms of Thomas Gibson Fine Art and Lefevre Fine Art, two leading modern-art dealerships who recently formed a partnership.’

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